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Victor Margolin (born 1941) is Professor Emeritus of Design History at the University of Illinois, Chicago ==Early Life & Career== Victor Margolin grew up in Washington D.C. He studied English literature and film at Columbia University, where he graduated in 1963. While a student, he contributed to MAD magazine and edited the university humor magazine, the Columbia Jester, as well as two books of puns.〔(【引用サイトリンク】url=http://tigger.uic.edu/~victor/ )〕 After graduation, he studied film directing on a Fulbright Fellowship at the Institute of Higher Cinema Studies in Paris. Following his return to the United States, he worked briefly for the National Broadcasting Company in Washington D.C. and for the public television station, WETA. He moved to New York in 1972, where he published his first two books on design history and design theory, American Poster Renaissance: The Great Age of Poster Design, 1890-1900 (1975) and the edited volume, Propaganda: The Art of Persuasion, WWII (1976). In 1975, he moved to Chicago where he held several jobs in college and university administration before obtaining a PhD in design history from the Union Graduate School, a non-traditional institution based in Cincinnati.〔 His dissertation was on the graphic design of Alexander Rodchenko, El Lissitzky, and László Moholy-Nagy. Margolin began teaching art and design history at the University of Illinois, Chicago in 1982 and remained there for his entire career, retiring in 2006. When he arrived at the university, he was invited to join a group of colleagues to help found the academic design journal Design Issues, which began publication in 1984 and celebrated its 30th anniversary in 2014. Margolin was the founding editor and then became a member of the editorial board. He edited Design Discourse, an anthology of articles from the journal in 1989. Other edited or co-edited volumes include The Idea of Design (1995), Discovering Design: Explorations in Design Studies (1995), and The Designed World: Images, Objects, Environments (2010). In 1997 he published The Struggle for Utopia: Rodchenko, Lissitzky, Moholy-Nagy, 1917-1946 and in 1992 a volume of his own articles, The Politics of the Artificial: Essays on Design and Design Studies appeared. He began work on a comprehensive World History of Design sometime after 2000, the first two volumes of which were published in 2015. For more than fifteen years, Margolin was the director of the Museum of Corn-temporary Art, a private museum that he founded and maintained in his university office.〔 In 2002 he published a book on the museum, Culture is Everywhere, with the photographer Patty Carroll.〔(【引用サイトリンク】url=http://www.amazon.com/Culture-Is-Everywhere-Victor-Margolin/dp/3791327607 )〕 The museum now resides in the permanent collection of The Wolfsonian in Miami Beach, Florida. Margolin has been a visiting professor and lecturer at numerous colleges and universities throughout the world. He continues to publish scholarly articles and personal essays and to write doggerel verse, which is yet to see the light of day. He is also an avid photographer and looks forward to publishing one or more collections of his photographs. Margolin has also been awarded a Lifetime Achievement Award by the Design Research Society. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Victor Margolin」の詳細全文を読む スポンサード リンク
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